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famous blue raincoat

Leonard Cohen Not yet rated
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AI reference · supporting evidence Strummed · 4/4 · about 80 BPM

Compact full-song arrangement based on the supplied chord sheet. Use a gentle, even eighth-note strum in 4/4; each listed chord normally occupies one bar unless multiple chords appear inside the same bar.

Timing check: At the estimated 72 BPM in 4/4, each bar is 3.333 seconds; the written arrangement is approximately 386.7 seconds, somewhat longer than the verified 315.679-second recording because lyric phrasing and repeated chord cycles are conservatively represented. Adjacent full-bar chord events were paired because the literal interpretation exceeded the verified recording duration.

Expected about 95 bars; arranged 74.0 bars (about 247 seconds, recording 316 seconds).
Intro: D D U U D U Verse: D D U U D U Chorus: D D U U D U
Used as a low-trust prior. Detected audio, your chord sheet, and playable fingering constraints take precedence. AI usage: 2,943 tokens (1,636 in, 1,307 out) · estimated $0.001977 USD
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Key
Bm
Tempo
80 BPM

Built from 1 playable source, using ultimate-guitar as the structural base.

B/·/·/· | 1+2+3/·/·/· | 1+2+3/·/·/· | B/·/·/· | 1+2+3/·/·/· | 1+2+3/·/·/· · full bar · Applies to: Intro, Verse 1, Chorus 1

This is the chord sheet Chordingly uses for playback. Click a chord to make it the current playback position.

[Intro]|  |  |  |  ||  |  |  |  |[Verse 1]|   |   |It's four in the morning, the end of December|   |   |I'm writing you now just to see if you're better|   |   |New York is cold, but I like where I'm living|   |   |There's music on Clinton Street all through the evening|   |   |I hear that you're building your little house deep in the desert|   |   |You're living for nothing now, I hope you're keeping some kind of record[Chorus 1]|   |   |Yes, and Jane came by with a lock of your hair|  |  |   |  |She said that you gave it to her that night that you planned to go clear|   |   |Did you ever go clear?[Verse 2]|   |   |Ah, the last time we saw you, you looked so much older|   |   |Your famous blue raincoat was torn at the shoulder|   |   |You'd been to the station to meet every train|   |   |And you came home without Lili Marlene|   |   |And you treated my woman to a flake of your life|   |   |And when she came back, she was nobody's wife[Chorus 2]|   |   |Well, I see you there with the rose in your teeth|  |  |   |  |One more thin gypsy thief, well, I see Jane's awake|   |   |She sends her regards[Instrumental]|   |   |[Verse 3]|   |   |And what can I tell you my brother, my killer?|   |   |What can I possibly say?|   |   |I guess that I miss you, I guess I forgive you|   |   |I'm glad you stood in my way|   |   |If you ever come by here, for Jane or for me|   |   |Well, your enemy is sleeping, and his woman is free[Chorus 3]|   |   |Yes, and thanks for the trouble you took from her eyes|  |  |   |  |I thought it was there for good, so I never tried|   |   |And Jane came by with a lock of your hair|  |  |   |  |She said that you gave it to her that night that you planned to go clear|   |   |Sincerely, L. Cohen[Outro]|   |   |